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October 09, 2019


Town Hall Theater Performances:
October 9 @ 7:30pm
October 11 @ 7:30pm
October 13 @ 1:00pm


Tosca on Tour Performances:
October 17 @ 7:00pm
 Hubbard Hall for Arts & Education, Cambridge, NY

October 19  @ 3:00pm
Spruce Peak Performing Arts Center, Stowe

October 20 @ 7:00pm
Pentangle Arts,
Town Hall Theatre, Woodstock




An Opera in Three Acts

Music by Giacomo Puccini
Libretto by Luigi Illica & Giuseppe Giacosa

Sung in Italian with English supertitles. 

Floria Tosca: Suzanne Kantorski
Cavaradossi: James Flora
Scarpia: Rubin Casas

Tosca directed by Douglas Anderson
with full orchestra at Town Hall Theater

conducted by Guest Conductor Jeffrey Rink

 Tickets on sale for members at noon on July 22
Call 802-382-9222 or stop by the Town Hall Theater Box Office Noon-5:00pm, Monday-Saturday, 68 S. Pleasant St., Middlebury

Tickets on sale to the general public at noon on July 29

October 9 – WEDNESDAY

6:30 pm – Pre-performance talk
Memorial Baptist Church

7:30 pm – Tosca Opening Night and Post-Performance Reception & Talk-Back
Town Hall Theater, Middlebury

October 11 – FRIDAY

6:30 pm – Pre-performance talk 
Memorial Baptist Church

7:30 pm – Tosca
Town Hall Theater, Middlebury

October 13 – SUNDAY

1:00 pm – Pre-performance talk 
Memorial Baptist Church

2:00 pm – Tosca
Town Hall Theater, Middlebury



on Tour

with piano and string quartet
conducted by Guest Conductor Jeffrey Rink:

October 17 – THURSDAY

7:00 pm, Hubbard Hall for Arts & Education, Cambridge, NY

October 19 – SATURDAY

3:00 pm, Spruce Peak Performing Arts Center, Stowe

October 20 – SUNDAY

7:00 pm, Pentangle Arts,
Town Hall Theatre, Woodstock

The Cast


An Opera in Three Acts

Music by Giacomo Puccini
Libretto by Luigi Illica & Giuseppe Giacosa

Sung in Italian with English supertitles. 

Please visit the STAFF page to see bios for the creative and production staff.

Floria Tosca Suzanne Kantorski
Mario Cavaradossi James Flora
Baron Scarpia Rubin Casas


Suzanne Kantorski is an award-winning performer who has appeared in leading operatic roles, as a concert soloist, interpreter of new music compositions, as well as on television programs, and in feature films worldwide. With a passion for new music and site-specific opera, she is also a member of an innovative performance art ensemble, Quintus 4, based out of Montreal. Ms. Kantorski is a collegiate educator, music researcher, lecturer, and writer and holds degrees from the Manhattan School of Music, and the Schulich School of McGill University. She has been a featured guest for discussions and performances about opera, new music, and film on nationally syndicated radio programs such as NPR’s “Sound Check” with John Schaefer, WQXR with Brian Wise, and VPR’s “Saturday Afternoon at the Opera.” This season for classical opera, Ms. Kantorski made two house debuts: Opera Orlando and Savannah Opera as Neddain Pagliacci as well as Stravinsky’s Pucinella.




American tenor James Flora,hailed for his “resonant, impeccably-trained voice and fearlessness to his singing,” has received acclaim in repertoire ranging from Verdi and Wagner to works by Carlisle Floyd and Daron Hagen where he sang Louis Sullivan from Hagen’s Shining Brow at Frank Lloyd Wright’s masterpiece Fallingwater. He made his Pittsburgh Opera debut as Fenton in Falstaff, and has since returned for seven productions. James has performed leading roles in opera companies across the United States, including Alfredo, Tamino, Pinkerton, Rodolfo, Don José, appearing with companies including Washington Concert Opera, Arizona Opera, Glimmerglass Opera, Opera Company of Middlebury, Opera Columbus and others. He is equally at home on the symphonic stage, singing with Pittsburgh Symphony, Reno Philharmonic, Erie Chamber Orchestra, and Buffalo Philharmonic, and recently debuted with the La Voz Humana: Lenguajes Múltiples festival in Cuba with Maestro Leo Brouwer. This is James’ debut as Cavaradossi with OCM, where he has previously performed numerous roles.



Rubin Casas,Bass-Baritone, made his OCM debut as Banquo in Macbeth in 2016 and returns as Barone Scarpia in Tosca. This season, the Pasadena, Texas native sang Haydn’s Mariazeller Masse for Mid America Productions at Carnegie Hall. He returns to the Metropolitan Opera to cover The Bonze in Madame Butterfly and will sing the Hermit in Der Freischütz with Heartbeat Opera. Future engagements include Beethoven’s Ninth Symphony with Idaho Falls Symphony and Zaccaria in Nabucco in Erfurt, Germany. Casas “provided rumbling bravura” as the Commendatore in Don Giovanni at Cedar Rapids Opera Theater. He “delivered the chaplain Raimondo’s proclamations deeply and fully” in Lucia di Lammermoor at Opera in the Heights and was “darkly compelling” as the same character at Opera New Jersey. He was a “strong and imposing Bishop Ruiz” in Florentine Opera’s Grammy Award winning world premiere of Rio de Sangre, also commercially released on Albany Records. Of his Carnegie Hall debut with the Opera Orchestra of New York, Opera News declared him “promising vocal material” as Ashby in La Fanciulla del West. Casas has sung with Tacoma Opera, Shreveport Opera, Virginia Opera, Spokane Opera, Connecticut Grand Opera, Opera Las Vegas, New York City Opera and the Metropolitan Opera. He is an alumnus of Yale University.


The Story


An Opera in Three Acts

Music by Giacomo Puccini
Libretto by Luigi Illica & Giuseppe Giacosa

Sung in Italian with English supertitles. 


Cast of characters

Floria Tosca – soprano –  Rome’s most famous opera singer

Mario Cavaradossi – tenor – a painter, Tosca’s lover

Baron Scarpia – baritone – Chief of the Roman police

Cesare Angelotti  – bass – a political prisoner

A Sacristan – baritone

Spoletta – tenor – a police agent

Sciarrone – bass – Baron Scarpia’s orderly

A Jailer – bass




Cesare Angelotti, former leader of the Napoleon resistance and now a political prisoner, has just escaped from the prison at Castel Sant’Angelo and is seeking refuge in a nearby church. As Angelotti hides in his family’s chapel, a sacristan enters followed by the painter Mario Cavaradossi, who begins to work on a portrait of Mary Magdalene. Angelotti comes out of hiding and asks for his friend Cavaradossi’s assistance but hides again as the voice of the painter’s lover, the famous opera singer Floria Tosca, is heard. She enters demanding to know why the door to the church was locked and suspects Cavaradossi of being with another woman. He reassures her of his fidelity, and the lovers agree to meet later that evening.

A cannon shot is heard announcing Angelotti’s escape, and the friends flee. The sacristan gathers the choir boys, telling them they must rehearse for a special performance for which Tosca will be the soloist celebrating Napoleon’s defeat. At that moment, the Roman Chief of Police, Baron Scarpia, arrives searching for Angelotti. Scarpia, suspecting Cavaradossi’s complicity in Angelotti’s escape, convinces Tosca that Cavaradossi has run off with another woman. Scarpia knows that Tosca’s jealousy will lead him to Cavaradossi, and thus to Angelotti. As the Te Deum hymn builds in intensity, he vows to ensnare them all.


Scarpia receives word of Cavaradossi’s arrest. He summons Tosca from her concert in the courtyard below, and she is shocked to see the captured Cavaradossi. Scarpia tries to extract Angelotti’s hiding place from Tosca, but she pleads ignorance. Yet as Scarpia raises the stakes, torturing Cavaradossi, she capitulates, revealing the secret and asking Scarpia for Cavaradossi’s freedom in return. Delirious from torture, Cavaradossi hears Scarpia order his men to Angelotti’s hiding place, curses Tosca, and cries defiance as news emerges that Napoleon was actually victorious.

Tosca pleads for her lover’s life, and Scarpia makes her an offer: if she will submit to his lust, he will save Cavaradossi’s life. In despair, she pleads for mercy but realizes she must agree to the bargain. Scarpia tells Tosca there will be a mock execution, but circuitously orders his henchman to make preparations for a real one. At Tosca’s request, he then writes a safe-conduct pass for her and Cavaradossi. Tosca, having discovered a dagger among the tributes and bribes that Scarpia has received, stabs him, takes the safe-conduct pass and goes to find Cavaradossi.


Waiting for his execution, Cavaradossi bribes the jailer so that he can write a farewell letter to Tosca, recalling the intensity of their love and mourning that he will never see her again. Tosca runs in, explaining that she has murdered Scarpia but they will escape—the execution will be faked and with their safe-conduct pass they can flee together. The lovers ecstatically plan for the future but are interrupted by the arrival of the firing squad. After the shots, Tosca bids Cavaradossi to wait until the soldiers are gone and then asks him to escape with her. She is horrified to discover that the execution was real after all, and distant shouts announce Scarpia’s murder. As the soldiers rush in to seize Tosca, she curses Scarpia’s betrayal, climbs to the fortress parapet, and leaps to her death.

The Music


An Opera in Three Acts

Music by Giacomo Puccini
Libretto by Luigi Illica & Giuseppe Giacosa

Sung in Italian with English supertitles. 


Suggested recordings by J. Scott Morrison

CD: My favorite, although it is now 60+ years old, with Callas, di Stefano, Gobbi, conducted by de Sabata

Another newer CD is the one with Pavarotti, Freni, Milnes


DVD:  Best current DVD is the one with Angela Gheorghiu, Jonas Kaufmann, and Bryn Terfel



‘Vissi d’arte’: American soprano Sondra Radvanovsky


‘E lucevan le stelle’: Pavarotti in Rome, 1990